Episode: Scarlet Nexus - 25 - Operation Destroy the Kunad Gate 312o1g
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Itou Yuuji
Nishimura Hiroyuki
Okazaki Hiromi
Yamamura Naomi
Yamanaka Junko
Info 5u4568
- Info
- Titles
| Main Title | Operation Destroy the Kunad Gate (e250367) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
| Play Length | 25 min |
| Air/Release Date | 16.12.2021 |
| Tags | post-credits sceneA little bit of the story is found after the credit titles. A little bonus for those patient enough! This applies regardless of if the credits play over an ED sequence, or over the "regular episode" that continues to air into the credits. A sequence at the end of an episode, showing what will happen in the next episode, is NOT a post-credits scene; that is a preview. |
| Resources | |
| Rating | N/A (0) |
| Added by | hidden on 2021-11-28 01:40 |
| Edited by | hidden on 2022-02-18 06:37 |
| Main Title | Operation Destroy the Kunad Gate (e250367) |
|---|---|
| Official Title | x-jat |
| Official Title | ja |
| Official Title | de |
Yuito and company try to convince Karen to help save the world. A bold plan is hatched to kill two birds with one stone, but is Yuito up to snuff? Karen makes a fateful decision to try one last time to travel back to the past and change the future.
Source: Funimation
Source: Funimation
Airing Schedule 551q3f
songs 1m685i
| Relation | Song | in Episodes | Rating | Credit | Staff | Comment |
|---|---|---|---|---|---|---|
| opening | Machinegun | 14-26, OP2 | N/A (0) | Vocals/Performed by (歌) | The Oral Cigarettes | |
| Lyrics (作詞) | Yamanaka Takuya | |||||
| Music Composition (作曲) | Yamanaka Takuya | |||||
| Music Arrangement (編曲) | The Oral Cigarettes | |||||
| ending | Stranger | 14-26, ED2 | N/A (0) | Vocals/Performed by (歌) | Ayumu Imazu | |
| Lyrics (作詞) | Ayumu Imazu | |||||
| Music Composition (作曲) | Ryosuke Imai | |||||
| Music Arrangement (編曲) | Ryosuke Imai |
- Staff
- assign existing Cast
- add Cast
- collapse pane
staff 5o2n15
| Credit | Name | in Episodes | Comment |
|---|---|---|---|
| Design Assistance (デザイン協力) | Suzuki Moe | 1-17, 19-26 | |
| Furumata Taichi | 1-11, 14-23, 25-26 | ||
| Murase Maiko | 1-4, 6-18, 20-23, 25-26 | ||
| Yamanaka Junko | 1-3, 7-14, 16-18, 20, 23, 25-26 | ||
| Miyamoto Takashi | 1, 5, 7-26 | ||
| Nitta Mitsuhime | 5-13, 16-23, 25-26 | ||
| Teraoka Kenji | |||
| Yamaguchi Aoi | |||
| Technical Director (テクニカルディレクター) | Torii Katsuhiro | 1-26, OP1-OP2 | |
| Chief Animation Direction (総作画監督) | Itou Yuuji | 1-8, 11, 13, 15, 17-25 | |
| Yamanaka Junko | 2-10, 12, 14, 16, 18, 20-25 | ||
| Art Design (美術設定) | Tayama Osamu | ||
| CG Supervision (CG監修) | Kawahara Tomohiro |
| Script/Screenplay (脚本) | Inoue Akiko | 4, 8, 11, 16, 20, 23, 25 | |
| Storyboard (絵コンテ) | Itadaki Shinji | 4-6, 11-12, 16, 19-23, 25 | |
| Episode Direction (演出) | Suzuki Moe | 2, 12, 25 | |
| Animation Direction (作画監督) | Yamamura Naomi | 1, 9, 19, 25 | |
| Yamagishi Masakazu | 2, 10, 20, 25 | ||
| Asai Akito | 4, 13, 20, 25 | ||
| Tanaka Tomoko | 9, 19, 25, ED1 | ||
| Key Animation (原画) | 糸賀成美 | 1-2, 4, 6-7, 9-10, 12-15, 19-21, 23-26 | |
| Yamaguchi Aoi | 1-2, 4, 6-7, 9-10, 12, 14-15, 19-20, 23-26, OP1-OP2 | ||
| Nitta Mitsuhime | 1-2, 4, 6-7, 9-10, 15, 19-20, 23-26, OP1-OP2 | ||
| Higashino Rikiya | 1-2, 6-7, 9-10, 12, 21, 23-26 | ||
| Ogata Ken`ichirou | 1-2, 6, 10, 23-26, ED1, OP1 | ||
| Suzuki Moe | 1-2, 18, 25-26, ED2 | ||
| Inose Fujio | 1-2, 25 | ||
| Iida Kai | 1, 4, 6-7, 9, 15, 19, 24-26 | ||
| 真塩朋実 | 1, 4, 6, 9-10, 12-15, 19-21, 23-25 | ||
| 大平真衣 | 1, 4, 6, 13, 24-26 | ||
| Suzuki Takuya | 1, 9, 25-26, OP1 | ||
| Ekachi Epilka | 2, 4, 21, 25 | ||
| Tamaki Shirou | 2, 6, 10, 13, 21, 23, 25 | ||
| Takai Kouichi | 4, 6, 10, 13-14, 18, 20-21, 25 | ||
| Taniguchi Shigenori | 4, 7, 13, 20, 24-25 | ||
| Fukuda Noriyuki | 4, 12, 15, 25, OP1 | ||
| Nakamura Production | 4, 13-15, 17, 24-25 | ||
| Yamanaka Junko | 4, 25-26 | ||
| Hanzawa Keiji | 9, 25 | ||
| Studio Lings | 12, 17, 21, 25 | ||
| Nakanishi Mamiko | 12, 21, 25-26 | ||
| 甲斐肇 | 14, 19, 21, 24-26 | ||
| チョ アヨン | 15, 19, 23-25 | ||
| Linefarm | 17-18, 21, 23-25 | ||
| Wao World | 19, 21, 24-25 | ||
| TopGear | 20, 25 | ||
| Platinumvision | 24-25 | ||
| Itou Atsushi | 25 | ||
| Nakajima Takeru | 25 | ||
| Narimatsu Yoshito | 25 | ||
| Sasagawa Mitsuyuki | 25 | ||
| Zero-G | 25 | ||
| Hirayama Takeshi | 25-26 | ||
| Itou Yuuji | 25-26 | ||
| Okazaki Hiromi | 25, ED2 | ||
| In-Between Animation Inspection (動画検査) | Sugiura Yutaka | 2, 4, 6-10, 12-15, 19-21, 23-26 | |
| 近藤宝生 | 7, 19, 23, 25 | ||
| In-Between Animation (動画) | Satou Ami | 1-4, 6-10, 12, 14-15, 19-21, 23-26 | |
| M.S.J. Musashino Seisaku-jo | 1-4, 6-7, 9-10, 12-15, 17, 19-26 | ||
| Komuro Takanori | 1-2, 4-10, 12-15, 19-21, 23-26 | ||
| 中沢唯華 | 1-2, 4-10, 12-15, 19-21, 23-26 | ||
| 今井楓花 | 1-2, 4, 6-10, 12-15, 19-21, 23-26 | ||
| Oouchi Minori | 1-2, 4, 6-7, 9-10, 12-15, 19-21, 23-26 | ||
| 栗田慶生 | 1-2, 4, 6-7, 9-10, 12-15, 19-21, 23-26 | ||
| 近藤宝生 | 1-2, 4, 6-7, 9-10, 13, 15, 19-21, 23-26 | ||
| 眞田匠 | 1-2, 4, 6-7, 9, 12-14, 19-21, 23-26 | ||
| 後藤廉 | 1-2, 4, 6-7, 9, 14-15, 18-20, 23-26 | ||
| OLM Asia | 1-2, 7, 9-10, 20, 25-26 | ||
| 真塩朋実 | 4, 10, 12, 15, 20-21, 25 | ||
| RadPlus | 9-10, 17, 19, 21, 24-25 | ||
| Ningbo Mindo Yinghua | 12-13, 15, 20-21, 23, 25 | ||
| Tokorozawa Eiga | 20, 23-26 | ||
| Colour Design Assistance (色彩設計補佐) | Itou Yui | 1-26 | |
| Yoshida Sayuri | 1-26 | ||
| Colour Specification/Cel Inspection (色指定検査) | Yamada Terumi | 14, 20, 23, 25 | |
| Finishing/Clean-up (仕上げ) | Wish | 1-10, 12-15, 17, 19-21, 23-26 | |
| 張涵錚 | 1, 15, 25 | ||
| Tanaka Teruka | 2, 15, 25 | ||
| Nguyen Thi Kim Phuong | 6, 14, 25 | ||
| Kigami Nao | 7, 21, 25 | ||
| 西之園未来 | 7, 21, 25 | ||
| Kadono Emi | 7, 25 | ||
| Sone Natsuki | 10, 25 | ||
| 南澤理恵 | 13, 25 | ||
| 長谷川安南 | 14, 25 | ||
| Kunii Ayaka | 25 | ||
| Finishing/Clean-up Work (仕上制作) | Kobashi Kousuke | 1-2, 4, 6-7, 9-10, 12-15, 19-21, 23-26 | |
| Art (美術) | Art Team Convoy | 1-26 | |
| Itou Akemi | 1-26 | ||
| Nemoto Hiroyuki | 2-25 | ||
| Studio CJ | 2-26 | ||
| 李恩瑛 | 2-26 | ||
| 許燦主 | 2-26 | ||
| 金敬子 | 2-26 | ||
| 高仁聖 | 2-26 | ||
| Modelling (CGモデラー) | Koizu Rei | 1-16, 18-20, 22-26, OP1-OP2 | |
| Sakagami Dan | 1-2, 4-10, 12-14, 16, 18-20, 22-23, 25-26, OP1-OP2 | ||
| 外間朱音 | 1-2, 4-8, 10, 12-16, 18-20, 22-23, 25-26, OP1-OP2 | ||
| Photographic Direction Assistance (撮影監督補佐) | 加賀ひかり | 1-26 | |
| Photography (撮影) | Fukui Yurie | 1-26 | |
| Hatanaka Hironobu | 1-26 | ||
| Mad Box | 1-26 | ||
| Kokatsu Tomohiro | 2-26 | ||
| Photography Manager (撮影管理) | Kawashita Yuuki | 1-26 | |
| 3DCG Animation (CGアニメーター) | Touch Tantanee | 1-5, 9, 15-19, 22, 25 | |
| 守谷拓 | 1-3, 5-6, 15-20, 22-25, OP1 | ||
| 大川治幸 | 1-3, 5, 8-9, 11, 13, 16, 18-20, 22-25 | ||
| Uchida Hiroki | 1-2, 5, 13, 16, 18-19, 25, OP1-OP2 | ||
| Boom S. | 5, 8-9, 15, 25 | ||
| Hashimoto Ryuuki | 25 | ||
| Monitor Graphics (モニターグラフィックス) | Furuhashi Hiroshi | 1-26 | |
| Sunrise Digital Creation Studio | 1-26 | ||
| Takakura Makoto | 1-26 | ||
| Ri Kin | 18, 20-23, 25-26 | ||
| Monitor Production Manager (モニター制作進行) | 劉津孜 | 1-26 | |
| Assistant Production Manager (制作進行) | 寿洋美 | 9, 25 | |
| Assistant Manager (制作進行補佐) | Song Jingzhou | 25 | |
| 南口隼也 | 25 | ||
| 喜友名朝陽 | 25 | ||
| 瀬木日太 | 25 |
